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Is the Maufrigneuse who appears as a deus ex machina
in Alençon in time to save the butt of the blonde
imbecile and delivers the Molièresque homily, “Marry for money,” the same woman who seduced and
abandoned d’Esgrignon in Paris? Or did Balzac, in taking the hands of one
person and the lips of another, neglect to stitch them together in the same
body?
Not to worry,
of course. The Duchess would come to know (relative) poverty. And
d’Esgrignon would take his revenge at a get together chez Madame d’Espard,
where he reappears as a jeune fat (well maybe no longer so young)
ready to rally anyone so foolish as to entrust themselves to his old
mistress. By the way, every phrase of Les Secrets de la Princesse de
Cadignan implies a routine amorous deception on the part of la
Maufrigneuse. Indeed at one point Balzac indicates the seduction would have
a tragic conclusion. Does the sudden peripety tell us there was something
brewing when Diane spent needless hours in intense conversation with
d’Arthez? Or was Balzac simply anxious to finish off the story and get on to
something else?